🇮🇷 Iran Proxy | https://www.wikipedia.org/wiki/User:MicroPowerpoint/sandbox
Jump to content

User:MicroPowerpoint/sandbox

From Wikipedia, the free encyclopedia

Reliable sources/references

[edit]

Can be used to prove that the references/sources seen below can be used as a reliable source. Basically proves that the websites are not just blogs and have some sort of editorial oversight or staff (which you can typically find on a "About Page" page/tab or something similar).

---

List of 'About Us' pages (with list of staff if possible):

Admin/Creator - Jeremy Ferwerda, Editor - Jom, Editor - Trey Spencer, Moderator - Deviant, Moderator - Thompson D. Gerhart, Moderator - SowingSeason, 26 Staff Reviewers, more than 50 Contributing Reviewers
Editor In Chief and Co-Founder - Cal, Co-Founder - David King, Managing Editor - Jeffrey Yau, Graphic Designer - Sydney Jones, East Coast Regional Editor - River Myers, 12 other staff/editors
President & CEO - Jorge Brea, Editor-In-Chief - Jeanette Kats, Video Production - Lorenzo de la Cantera and Vanessa Johnson, Graphic Design - Adam Bentley, Advertising and Marketing - Janette Berrios and Greg Vinas, 16 Staff Writers
Founder & CEO - Steven Jacobs, Editor in Chief - Erik Mahal, VP of Events - Kris Novak, Director of Photography - Joseph D'Oria, VP of HR Operations - Bruce Genovese
CEO - Elliot Sachs, CFO - Nick Ward, Editor-in-Chief - Matthew Meadow, Label Director - Greg Sills, Chief Content & Social Media Manager - Lucas, Content Curator - Ben Jacobs, 15 other staff.
Director / Partnerships - Inna Shnayder, Co-Founder / president - Montrey Whittaker, Co-Founder / publisher - Blake Edwards, Senior Editor - David Sikorskin, Associate Editor - Lindsay Herr, Managing Editor - Steph Evans, Experimental Editor - Mike Waite, Indie Editor - Bronte Martin, Dance/Electronic Editor - Ry Smith, Hip-Hop Editor - Jahn Parker, Director of Social Media - Jeff Lourenço, Social Media Associate - Kaley Vick, Daily Graphics Lead - Alex Geerken
CEO & Founder - Yotam Dov, CO-Manager - Tim Olsson, Editor - Shantanu Singh, Instagram Manager - Antonio Di Giorgio, Writer - Abhinav Manmohan, Editor - Florito Maniego, Spotify Manager - Tomas Zboril, Youtube Manager - Petar Lazarevic, Writer - Raymond Murphy, Brand Manager - Branka Maxim, Twitter Manager - Henry Wallis, Editor - Amy Martine Shaw, Writer - Alexander Costello, Writer - Sean Wolfe, Writer - Keith Warren, Writer - James Todoroski, Editor - Jake Gable, Video Manager / Writer - Johan de Kock
Founder & CEO - Mark Mancino, Social Media Coordinator - Mason Siegel, Editor-at-Large & Ad Sales - Kris Kallenbach, Senior Editor - Caroline O'Keefe, Writer - Ariana O'Keefe, Writer - Charlie McMillan, Writer - Maria Marcano, Writer - Rebecca Sirota
Editor - Jim Tremayne, Editor-at-Large - Brian O’Connor, Assistant Editor & Digital Content Editor - Brian Bonavoglia, Chart Coordinator - Dan Miller, Around 20 article Contributors, Art Director - Janice Pupelis, Digital Art Director - Fred Gumm, Production Manager - Steve Thorakos, Director of Integrated Advertising - Paul Bozikis, Advertising Assistant - Rickey Pimentel, Operations Manager - Robin Hazan,President/Publisher - Vincent P. Testa
CEO and Founder - Adam Hirsch, Editor in Chief - Hunter Thompson, Staff Writer - Sam Waggoner, Staff Writer/ Event Promo Coordinator - Nick Isasi, Staff Writer - Amanda Torres
Co-Founder / Editor-In-Chief - Grant Gilmore, Managing Editor - Erin Cropper, Content Strategist - Matt Schaitel, Senior editors - Abisola Oseni, Cassey Varvel, Maria Clinton, Editor - Jayce Ullah-Blocks, Webmasters - Connor Taylor, Tim Goth, 8 Correspondents
Managing Director - Martin Carvell, Editor-In-Chief - Carl Loben, Deputy Editor - Ben Hindle, Tech Editor - Mick Wilson, Production Coordinator - Becca Antoon, Commercial Director - Heath Holmes, Deputy Digital Editor - Rob McCallum, Digital Staff Writer - Amy Fielding
Chief Executive Officer - Senthil Chidambaram, Editor-in-Chief - David Klemow, Managing Editors - Christina Hernandez, Robyn Dexter, Bella Bagshaw, Editor-at-Large - Will McCarthy, Senior Editors - achel Narozniak, Farrell Sweeney, Staff Writers - Chris Stack, Jessica Mao, Harry Levin, Josh Stewart, Mitchell Rose, Rugby Scruggs
Founder - Joshua Schweigert, Public Relations Liaison - Valerie White, Reviews Editor - Pete Zachara, Music Journalist - Vanessa Crestejo, Staff Writer - Ashley Kiah Beehler, 19 other employees.

Album, EP or Single art licensing

[edit]
Non-free media information and use rationale – non-free album cover true for Saving Light
Description

This is the cover art for Saving Light by the artist Gareth Emery and Standerwick. The cover art copyright is believed to belong to Monstercat.

Source

"Saving Light" by Gareth Emery and Standerwick, featuring Haliene at Monstercat

Article

Saving Light

Portion used

The entire cover: because the image is cover art, a form of product packaging, the entire image is needed to identify the product, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image.

Low resolution?

The copy is of sufficient resolution for commentary and identification but lower resolution than the original cover. Copies made from it will be of inferior quality, unsuitable as artwork on pirate versions or other uses that would compete with the commercial purpose of the original artwork.

Purpose of use

Main infobox. The image is used for identification in the context of critical commentary of the work for which it serves as cover art. It makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone. The image is placed in the infobox at the top of the article discussing the work, to show the primary visual image associated with the work, and to help the user quickly identify the work and know they have found what they are looking for. Use for this purpose does not compete with the purposes of the original artwork, namely the artist's providing graphic design services to music concerns and in turn marketing music to the public.

Replaceable?

As musical cover art, the image is not replaceable by free content; any other image that shows the packaging of the music would also be copyrighted, and any version that is not true to the original would be inadequate for identification or commentary.

Other information

Use of the cover art in the article complies with Wikipedia non-free content policy and fair use under the copyright law of the United States as described above.

Fair useFair use of copyrighted material in the context of Saving Light//en.wikipedia.org/wiki/User:MicroPowerpoint/sandboxtrue

Licensing

[edit]
Copyrighted
This image is of a cover of an audio recording, and the copyright for it is most likely owned by either the publisher of the work or the artist(s) which produced the recording or cover artwork in question. It is believed that the use of low-resolution images of such covers

qualifies as fair use under the copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, may be copyright infringement. See Wikipedia:Non-free content for more information.

Audio licensing

[edit]
Media data and Non-free use rationale
Description Kill the Noise I Do Coke audio sample
Author or
copyright owner 		Jacob Stanczak, OWSLA
Source (WP:NFCC#4) https://itunes.apple.com/us/album/i-do-coke/1032867940?i=1032868266
Use in article (WP:NFCC#7) Occult Classic
Purpose of use in article (WP:NFCC#8) to serve as the primary means of audial identification in the article dedicated to the work in question.
Not replaceable with
free media because (WP:NFCC#1) 		n.a.
Minimal use (WP:NFCC#3) Only 18 seconds long and is only 164kbps
Respect for
commercial opportunities (WP:NFCC#2) 		n.a.
Fair useFair use of copyrighted material in the context of Occult Classic//en.wikipedia.org/wiki/User:MicroPowerpoint/sandboxtrue
Copyrighted
This is a sound sample from a song, movie, sound effect, or other audio recording that is currently copyrighted. The copyright for it may be owned by the company who made it or the author. For a song, it may also be owned by the person(s) who performed it. It is believed that the use of this work qualifies as fair use under United States copyright law when used on the English-language Wikipedia, hosted on servers in the U.S. by the non-profit Wikimedia Foundation, where:
  1. the sample is being used for commentary on the recording in question;
  2. the sample contributes significantly to the encyclopedia articles in which it is used (listed under the heading "File usage" below) in a way that cannot be duplicated by other forms of media;
  3. the sample is short in relation to the duration of the recorded track, and is of inferior quality to the original recording;
  4. no other samples from the same track are currently used in Wikipedia;
  5. there is no adequate free alternative available.

A more detailed fair use rationale should be provided by the user who uploaded this sample. Any other uses of this sample, on Wikipedia or elsewhere, may be copyright infringement. If you are the copyright holder of this sample and you feel that its use here does not fall under "fair use", please see Wikipedia:Copyright problems for information on how to proceed.

To the uploader: If this is a free, non-copyrighted audio recording, please post it to Wikimedia Commons instead.

Audio
Attention
To the uploader:
  1. Please add a detailed non-free use rationale for each article the image is used in, which must also declare compliance with the other parts of the non-free content criteria, as well as the source of the work and copyright information.
  2. For example non-free use rationales, see Wikipedia:Use rationale examples.
  3. Template:Non-free use rationale audio sample may be helpful for stating the rationale.
To patrollers and administrators: If this image has an appropriate rationale please append |image has rationale=yes as a parameter to the license template.

Music video screenshot licensing

[edit]
Media data and Non-free use rationale
Description Gareth Emery Standerwick Saving Light music video screenshot
Author or
copyright owner 		Monstercat
Source (WP:NFCC#4) https://www.youtube.com/watch?v=1UTYlATnHhI
Date of publication January 30, 2017
Use in article (WP:NFCC#7) Saving Light
Purpose of use in article (WP:NFCC#8) The image will be used to supplement the discussion of the music video in the section of the article that discusses the music video and allow the reader to visually identify the work and understand that they have come to an article containing critical discussion of the music video.
Not replaceable with
free media because (WP:NFCC#1) 		As an official music video of a popular song, any reproductions or derivatives of it will almost certainly be copyrighted as well.
Not replaceable with
textual coverage because (WP:NFCC#1) 		As a work of visual art, the music video cannot be identified with words alone to the same extent that a visual screenshot of the video can.
Minimal use (WP:NFCC#3) The image will only be used once in the section of the article discussing its music video. Only a single frame from the video will be used to identify it.
Respect for
commercial opportunities (WP:NFCC#2) 		The file has been resized so that its resolution would be inferior in quality to an official version of the video, while still being sufficient to identify the video.
Fair useFair use of copyrighted material in the context of Saving Light//en.wikipedia.org/wiki/User:MicroPowerpoint/sandboxtrue
Copyrighted
This image is a screenshot from a copyrighted music video or promotional video for a music artist, and the copyright for it is most likely held by the producers of the video and possibly also by the music artist. It is believed that the use of a limited number of low-resolution screenshots
  • for identification and critical commentary on the music video in question
  • where no free equivalent is available or could be created that would adequately give the same information,
  • on the English-language Wikipedia, hosted on servers in the United States by the non-profit Wikimedia Foundation,
qualifies as fair use under the copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, may be copyright infringement. See Wikipedia:Non-free content for more information.

Kliptown Empyrean

[edit]

---

doesn’t seem to be an official release given it was only released on Soundcloud[1]


In the meantime, we have ‘Kliptown Empyrean’ to tie us over, and it’s a brilliant track. With the essence of that signature Skrillex sound we all have come to know and love, it gives us that hyped up, choppy type of sound that’s been missing from our lives for a bit now, and we’re happy to see it return.[2]


Along with the track is a new cover art visual, depicting his logo on the beach[2]


in March 2020, Skrillex, who mysteriously wiped his Instagram earlier this summer, had remained tight-lipped on any further details until now.[3]


October 23rd[3]


It's a chilled out garage track akin to "Fire Away,"[3]


Filled with soft and delicate synths and melodies, it still features a lot of hallmark Skrillex effects in its drum patterns, vocal modulations, and more. It bears a lot of resemblance to the vibe we got on “Would You Ever?” with Poo Bear all those years ago.[4]


chill garage track[4][1]


Skrillex shared a photo to Twitter showing him using Ableton's "share on Soundcloud" feature[5]


The single takes elements from a mix of genres including ambient, UK garage, and future garage, landing as a hybrid with refreshing atmospheres.[6]


“Kilptown Empyrean” notably also pairs unique signatures from the past and present, sampling Lizzie McGuire in addition to 808’s from The Prodigy‘s “Breathe.”[6]


“Kliptown Empyrean” is Skrillex’s first full solo release in nearly half a decade. [6]


Kliptown is a suburb of Soweto in Gauteng, South Africa, located about 10 miles southwest of Johannesburg. In 2016, Skrillex and local rapper Riky Rick visited the Soweto Kliptown Youth Centre to hold a Bridges for Music workshop where both offered advice on how to operate in the industry and also discussed how belief in oneself, hard work and determination are necessary to achieve one’s dreams. The term “empyrean” by definition refers to “heaven,” and would not be a misnomer for the Soweto Kliptown Youth Centre, which serves as a safe haven for African youth, housing 40 kids and feeding more than 200 children a day from the community.[6]


Not even one full day after Scary Monsters and Nice Sprites 10th birthday, Skrillex has shared new music, offering a free full download of what is as close to a full-fledged solo release as he’s gotten this year,[6][2][7]


Kliptown Empyrean, was written and released within a single day[8][9][10][11][2]


a “main body of work” currently being finished "but in the mean time I just made this today and wanted to put it out."[8][12][9][10][13][11][5][4][3][2][1]


Kliptown Empyrean is Skrillex’s first solo song since 2019’s Show Tracks[8][4]


It's been a relatively quiet few years for Skrillex. While the producer released a series of collaborative singles in 2019 -- including the Boys Noize and Ty Dolla $ign collab "Midnight Hour," which earned them all a Grammy nomination for best dance recording[12]


Composed of a pitched up and chopped up vocal sample mixed in over spare, skittering percussion, the song is the first release of what looks to be a significant new project from the producer born Sonny Moore.[12]


.though he has nevertheless still been active in 2020, most notably guesting on Ty Dolla $ign’s single Ego Death alongside Kanye West and FKA Twigs.[8][9][10][13][11]


interview on Beats 1, stating, "The thing is with this album, every single piece of music or body of work I’ve put together in my life, I’ve always taken what I had then and there, and then it was run and gun." "With this one it’s the first time I’ve really been taking my time and been a little bit precious about a couple of these releases – but soon, man. I’ve been making some videos right now and making some content for some of the next records… I’ve never sat down and been completely tenacious about one of my releases."[8][5]


---

Zfg

[edit]

[14]

  1. ^ a b c "LISTEN: Skrillex Drops Surprise New Single, Hints at Upcoming Album". Run The Trap: The Best EDM, Hip Hop & Trap Music. 2020-10-23. Retrieved 2020-10-29.
  2. ^ a b c d e Mullins, About the Author / Ellie (2020-10-23). "Skrillex drops surprise new track on SoundCloud titled 'Kliptown Empyrean': Listen". We Rave You. Retrieved 2020-10-29. {{cite web}}: |first= has generic name (help)
  3. ^ a b c d Heffler, Jason. "Skrillex Shares New Single, Confirms "Body of Work" On the Way". EDM.com. Retrieved 2020-10-29.{{cite web}}: CS1 maint: url-status (link)
  4. ^ a b c d "Skrillex Drops Surprise New Single As He's Working On "Main Body Of Work"". Your EDM. 2020-10-23. Retrieved 2020-10-29.
  5. ^ a b c "Skrillex shares new track, confirms new album is in "finishing" stages: Listen". DJMag. 2020-10-23. Retrieved 2020-10-29.
  6. ^ a b c d e "New Skrillex material has landed at last, stream 'Kliptown Empyrean'". Dancing Astronaut. 2020-10-23. Retrieved 2020-10-29.
  7. ^ "Skrillex Surprises Fans With With Release Of "Kliptown Empyrean"". DJ Times. 2020-10-23. Retrieved 2020-10-29.
  8. ^ a b c d e "Skrillex Releases Surprise New Song, Kliptown Empyrean". Kerrang!. Retrieved 2020-10-29.
  9. ^ a b c "Skrillex Releases New Song 'Kliptown Empyrean'". Our Culture. 2020-10-25. Retrieved 2020-10-29.
  10. ^ a b c Yoo, Noah. "Skrillex Shares New Song "Kliptown Empyrean"". Pitchfork. Retrieved 2020-10-29.
  11. ^ a b c "Skrillex drops new track 'Kliptown Empyrean' | NME Australia". NME. 2020-10-26. Retrieved 2020-10-29.
  12. ^ a b c "Skrillex Drops New Track & Teases a Forthcoming 'Body of Work'". Billboard. Retrieved 2020-10-29.
  13. ^ a b "Skrillex – "Kliptown Empyrean"". Stereogum. 2020-10-24. Retrieved 2020-10-29.
  14. ^ Snyder, David (2017-10-12). Speedrunning: Interviews with the Quickest Gamers. McFarland. ISBN 978-1-4766-3076-2.
Retrieved from "https://en.wikipedia.org/w/index.php?title=User:MicroPowerpoint/sandbox&oldid=998615123"